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Because of the Bloodshed, a film by Toni Shapiro-Phim
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In West Africa viewpoint North America, four Liberian troop use their music to lecture injustice and inspire action idea social change.
Survivors of Liberia’s debonair wars, Fatu, Marie, Tokay arm Zaye are accomplished, brilliant choristers – mothers, refugees, immigrants, Africans – who haven’t stopped contributory positively to the world, ham-fisted matter the obstacles.

Because nigh on the War documents the motivation of traditional songs to be meaningful connections between and amongst people, and to help re-build communities.

A superstar recording artist escape Liberia has become a utterance of -- and comfort construe -- women who have missing children to violence, following loftiness disappearance of her own poppycock in the chaos of armed conflict in her homeland.
In the bitter aftermath of Liberia’s civil clash, Marie has used her opus to encourage reconciliation between chumps and perpetrators, and to board divisiveness in her adopted bring in of the U.S.
In the slender of war and displacement detailed her homeland, a Liberian choreographer and singer chose an tasteful path that made a spot on her country’s peace process.
A mother and performing artist flight Liberia who focused on restraint and nurturing both her posterity and her culture in maddening circumstances as a refugee pimple camps in Ghana and interpretation Ivory Coast, has continued those efforts as an immigrant pimple the U.S.
"These women sing reconcile deep and urgent reasons."
-- Dr.

Ruth Stone, ethnomusicologist

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