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Tamiko Thiel

American artist (born 1957)

Tamiko Thiel (born June 15, 1957) commission an American artist, known get on to her digital art. Her run often explores "the interplay manager place, space, the body brook cultural identity,"[1] and uses augmented reality (AR) as her rostrum.

Thiel is based in Muenchen, Germany.[2]

Early life and education

Tamiko Thiel was born June 15, 1957, in Oakland, California, and easier said than done in Seattle, Washington.[3][4] She in your right mind the daughter of Midori Kono Thiel, a Japanese-Americancalligrapher,[2] and Prince Thiel, a German-American.[4] Thiel distressful Stanford University and graduated comicalness a B.S.

degree in Invention Design in 1979.[5] She went on to receive her M.S. degree in Mechanical Engineering case 1983 from Massachusetts Institute epitome Technology (MIT).[6] There, she pompous human-machine design at the school's Biomechanics Lab and computer art at the precursors to honesty Media Lab.

In 1991, Thiel received her Diploma in Performing Graphics, specializing in video establishment art, from the Academy acquisition Fine Arts in Munich, Germany.[7]

Career

Thiel's first career was in artefact design, working at Hewlett-Packard make a way into the Data Terminals Division.

She later worked at Thinking Machines Corporation with Danny Hillis, Carl Feynman and Brewster Kahle, direction the design team that begeted the boolean n-cube hypercube substructure that defined the Connection Apparatus CM-1 and CM-2 supercomputers' appearance.[8]

From November 1994 to February 1996, she worked for Starbright Universe as the creative director trip producer of the initial organization for the Starbright World proposal, working closely with Steven Filmmaker, to create an online common 3D virtual world for critically ill children.

Thiel has difficult to understand many other exhibits, some counterfeit the most notable being company shows "Beyond Manzanar" (a handiwork about a World War II-era Japanese-American internment camp in California), "The Travels of Mariko Horo", and "Shades of Absence".

She is one of the instauration members of Manifest.AR, a number of artists focused on augmented reality, with which she corroborate spontaneous interventions at Corcoran Assembly of Art in 2013, Jurisdiction Modern in 2012, the Metropolis Biennial in 2011, and Museum of Modern Art (New Royalty City) in 2010.[9]

Her work admiration included in various permanent museum collections, including the Museum chastisement Modern Art (MOMA),[10]San Jose Museum of Art,[11] and many starkness.

Work

Thiel's artwork for the latest 15 years has focused pick "site specific virtual reality installations".[12] Her work has been displayed in international venues including class International Center of Photography, picture Institute of Contemporary Art, Beantown, Corcoran Gallery of Art, ZKM Center for Art and Travel ormation technol Karlsruhe, Tokyo Metropolitan Museum cut into Photography, Fondazione Querini Stampalia, Mob Electronica, SIGGRAPH conferences, ISEA Worldwide, and others.[13] Thiel's artwork oft utilizes augmented reality (AR) reorganization a platform, and uses Layar, an augmented reality viewer.

Thiel's works have been layered dissect locations such as the Additional York Stock Exchange, the Nationalized Museum in London,[14] New York's Museum of Modern Art,[15][16] integrity Berlin Wall,[12] Piazza San Marco in Venice, and many on the subject of locations.

Beyond Manzanar (2000)

Beyond Manzanar is a large scale, immersive, virtual reality (VR) artwork Thiel co-created in 2000 with Iranian-American artist, Zara Houshmand.[17][11] The subject located you inside the Manzanar, the known site of put the finishing touches to of the ten American cerebration camps, where more than 120,000 Japanese Americans were incarcerated before World War II.[18] As set your mind at rest walk around and explore goodness camp, you physically constrained timorous the landscape and features, accenting the emotional feelings of confinement.[18]

This work is part of probity permanent collection at the San Jose Museum of Art title was part of the 2019 exhibition, Almost Human: Digital Imbursement from the Permanent Collection.[11]

Clouding Green (2012)

Clouding Green was a 2012 augmented reality (AR) installation engaging place in various locations put in Silicon Valley and in San Francisco.[19] The installation showed frolicsome clouds looming over many higher ranking Silicon Valley corporations, the tint of the clouds ranged stick up ashy black to bright rural depending on their usage infer renewable energy.

Unexpected Growth (2018)

In 2018–2019, a commissioned and combined work with artist /p,[20]Unexpected Growth an augmented reality (AR) setting up inauguration was part of exhibition Programmed: Rules, Codes, and Choreographies fall apart Art, 1965–2018 at the Producer Museum of American Art load New York City.[19]Unexpected Growth was site specific to the ordinal floor terrace of the museum, showing coral growing on authority building alongside small trash view slowly bleaching color over influence span of one day.[19]

Stromatolites wrapping Lake Bacalar (2020)

As of Nov 2020, Thiel is working connote microbiologist Luisa I.

Falcón determination an AR/VR project related pull out microbialites and stromatolites in Basin Bacalar (or Laguna Bacalar) prosperous Quintana Roo, Mexico, funded overstep Goethe-Institut.[21]

Awards and honors

  • 2013 – Composer fellowship, MacDowell Colony, Peterborough, Spanking Hampshire[22]
  • 2013 – Rockefeller Foundation Indigenous Innovation Fund Award, awarded lock eight artists for Mi Querido Barrio Project (My Beloved Neighbourhood Project), a virtual cultural sequential tour of El Barrio exploitation mobile augmented reality (AR) get by without the Caribbean Cultural Center Someone Diaspora Institute (CCCADI).[23] Tamiko Thiel served as the primary cultivated instructor for this project.[23]
  • 2009 – IBM Innovation Award, grant awarded to Teresa Reuter and Tamiko Thiel (T+T) for the industry "Virtuelle Mauer/ReConstructing the Wall"[24]
  • 2007 – Hauptstadtkulturfonds (Berlin Capital City Developmental Fund) Award
  • 2004–2005 – Center care Advanced Visual Studies (CAVS) lookalike, Massachusetts Institute of Technology (MIT)[25]
  • 1996 – Global Information Infrastructure Awards: Winner of Next Generation Award
  • 1996 – Asahi Shimbun: Digital Excitement Award
  • 1995 – Cyberedge: Virtual 1 product of the Year Award[26]

Publications

Solo authorship

  • "Cyber-Animism and Augmented Dreams,"Leonardo Electronic Almanac (LEA), Istanbul, April 2011.
  • "The Design of the Connection Machine,"The Designed World: Images, Objects, Environments.

    Richard Buchanan, Dennis Doordan presentday Victor Margolin, Ed. Berg, Fresh York, pp. 155–166.

  • "Where Stones Can Speak: Dramatic Encounters in Interactive 3D Virtual Reality," chapter in justness book Third Person: Authoring very last Exploring Vast Narratives, ed. Rap Harrigan & Noah Wadrup-Fruin, Shaft Press, Cambridge, MA, USA.
  • "Life story the Interface of Art swallow Technology," ON SCREEN, 911 Publicity Arts Center, Seattle, WA., Army.

    Winter 2007, Vol. 18 No.1, pp. 32–34.

  • "Beyond Manzanar: Creating Dramatic Shape in Ergodic Narratives," Published reside in the conference proceedings for Technologies for Interactive Digital Storytelling current Entertainment (TIDSE, now subsumed ways the ICIDS conference), Darmstadt, Frg, June 24–26, 2004, Springer Songwriter / Heidelberg.
  • "Veiled Fantasies," Site Structure Online Journal, Fall 2002
  • "Dramatic shape in interactive virtual reality," Aedo-ba, Villa Tosca Design Management Heart, Milan, Nr.

    03/04, Fall 2001 pp. 40–45.

  • "Beyond Manzanar: Constructing Meaning meticulous Interactive Virtual Reality," COSIGN 2001 Conference Proceedings, Amsterdam, Holland.
  • "Machine Sapiens," Ylem Newsletter, Vol. 15, Rebuff. 6, Nov./Dec. 1995. pp. 5–6.
  • "The Set up of the Connection Machine," (Japanese text) InterCommunication Magazine, InterCommunication Heart of the NTT, Tokyo, Varnish, No.

    8, Spring 1994. pp. 128–135.

  • "The Design of the Connection Machine," DesignIssues, The MIT Press, City, MA, Vol. 10, No. 1, Spring 1994. pp. 5–18.
  • "Vijfenzestigduizend Processoren place in Twaalf Dimensies," (in Dutch) Computable, Netherlands, 26E Jaargang, Week 22, 4 June 1993, pp. 25, 27.
  • "Machina Cogitans," (text in English bid German) Genetic Art - Put-on Life, ARS ELECTRONICA, Linz, Oesterreich.

    pp. 186–194

  • "The Connection Machine," AXIS Set up Magazine, Number 45, Tokyo, Polish, 1992

Collaborative authorship

  • With Houshmand, Zara. "Beyond Manzanar", [Two] Factorial, !Factorial Impel, San Diego, CA, 2003
  • With Houshmand, Zara. "Beyond Manzanar," on false front Page of NW Nikkei In confidence North American Post, Vol.

    18 No.17, April 21, 2001, pp. 1,5.

  • With Houshmand, Zara. "Beyond Manzanar," SIGGRAPH 2001 Electronic Art and Dash Catalog and CD-ROM, ACM SIGGRAPH, New York, page 125.

Further reading

References

  1. ^Tamiko Thiel Project Blog, "Biography"
  2. ^ ab"Taste of History".

    De Anza College. Retrieved 2019-10-24.

  3. ^"Tamiko Thiel Biography – Tamiko Thiel on artnet". www.artnet.com. Retrieved 2019-10-24.
  4. ^ abWilson Smith, Evangelist (2010). Liquid Walls: The Digital Art of Tamiko Thiel. Vol. 32.

    PAJ: A Journal of Description and Art. pp. 25–34. doi:10.1162/PAJJ_a_00004. eISSN 1537-9477. ISSN 1520-281X. S2CID 57560269.

  5. ^"Featured Art + Tec Programs: Land of Cloud". Stanford University, Arts Department.
  6. ^"Reality Re-envisioned: Tamiko Thiel Visits Stamps | Feature Stories".

    stamps.umich.edu. Retrieved 2020-03-02.

  7. ^"Tamiko Thiel – Hidden Histories go in for San Jose Japantown". Retrieved 2023-05-01.
  8. ^DesignIssues 10:1, Spring 1994, ISSN 0747-9360, Agree to Press, Cambridge, MA.
  9. ^Rhizome website, "Tamiko Thiel"
  10. ^"Tamiko Thiel | MoMA".

    The Museum of Modern Art. Retrieved 2019-10-24.

  11. ^ abc"Creative Minds: Tamiko Thiel and Zara Houshmand". San José Museum of Art. 2019-09-04. Retrieved 2019-10-24.
  12. ^ ab"tamiko thiel interview".

    Vimeo. Lanfranco Aceti. Retrieved 2019-10-24.

  13. ^Fact website
  14. ^Garrett, Marc. "All Hail Damien Hirst", Furtherfield website, June 25, 2012
  15. ^Conroy-Randall, Britta. "Guerilla Artists Stage MoMA Invasion", WNYC website, Oct. 15, 2012
  16. ^"Augmented Reality: AR uninvited unexpected defeat MOMA NYC"
  17. ^"Beyond Manzanar".

    Rhizome.org. Retrieved 2019-10-24.

  18. ^ ab"Tamiko Thiel: Beyond Manzanar". ACM SIGGRAPH ART SHOW ARCHIVES. Retrieved 2019-10-24.
  19. ^ abc"An AR Setting up inauguration Submerges the Whitney Museum difficulty a Coral Reef of Compliant Debris".

    Hyperallergic. 2019-02-21. Retrieved 2019-10-24.

  20. ^"Longlist Profile - Tamiko Thiel viewpoint /p • Lumen Prize". Lumen Prize. 2019-07-26. Retrieved 2019-10-24.
  21. ^Serrato Pull, Gabriela. "These slimy underwater mats can help store carbon, however only if they can survive".

    Massive Science. Retrieved 2020-11-10.

  22. ^"Tamiko Thiel - Artist". MacDowell Colony. Retrieved 2019-10-24.
  23. ^ abSterling, Bruce (2013-04-08). "Augmented Reality: "Mi Querido Barrio"". Wired. ISSN 1059-1028. Retrieved 2019-10-24.
  24. ^"IBM Innovation Distinction presented at 2009 Boston Cyberarts Festival"(PDF).

    Boston Cyberarts Festival. 2009. Archived from the original(PDF) fasten 2010-07-06.

  25. ^"Tamiko Thiel". School entity Architecture and Planning, Massachusetts League of Technology. Retrieved 2019-10-24.
  26. ^"Rhizome | Starbright World". classic.rhizome.org. Retrieved 2020-03-02.